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Free for Commercial Use

Inline Reju 3 is a light, wide, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, album art, titles, futuristic, experimental, kinetic, edgy, high-tech, visual texture, sci-fi tone, glitch effect, display impact, geometric, modular, stencil-like, split strokes, sharp terminals.


Free for commercial use
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This typeface uses a geometric, display-led construction with smooth bowls and straight-sided stems that are repeatedly split by internal cut lines, creating a carved, segmented look. Forms alternate between solid masses and thin outlining, producing a stark black–white rhythm and a sense of shifting weight across letters. Curves are clean and circular while diagonals and joins stay sharp, giving the set a crisp, engineered feel. Spacing and proportions read intentionally irregular, with some glyphs appearing more condensed or more open than their neighbors, reinforcing an intentionally disrupted, modular texture in words.

Best suited for short display settings where the carved interiors and segmented strokes can be appreciated—headlines, posters, title sequences, branding marks, and event or music graphics. It can work as an accent face paired with a simpler text font to preserve clarity while keeping the visual concept.

The overall tone feels futuristic and experimental, with a glitchy, sliced aesthetic that suggests motion and digital interference. Its high-contrast breaks and stenciled interruptions create an edgy, attention-grabbing voice suited to bold, concept-driven visuals rather than neutral reading.

The design appears intended to reinterpret a geometric sans through internal cuts and alternating solid/outlined structure, prioritizing texture and visual energy over conventional uniformity. The carved linework and partial occlusions suggest a deliberate “sliced” or “glitched” theme aimed at contemporary, tech-forward display typography.

Several glyphs show deliberate asymmetry and abrupt internal breaks that make counters feel partially occluded, which increases visual intrigue but also raises the stylistic noise level in continuous text. The design’s strongest impact comes from the repeated internal carving motif, which stays recognizable across uppercase, lowercase, and numerals.

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Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
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M
N
O
P
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R
S
T
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Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
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Number — Decimal Digit
0
1
2
3
4
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6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
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Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
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ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
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\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
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[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
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¥
Symbol — Math
%
+
<
=
>
~
¬
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^
µ
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Diacritics
`
´
¯
¨
¸