Sans Superellipse Tyfo 2 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Blue Creek' and 'Blue Creek Rounded' by ActiveSphere, 'Choxr' by Almarkha Type, 'FTY DELIRIUM' by The Fontry, and 'Aodaliya' by Type Associates (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, industrial, vintage, assertive, no-nonsense, rugged, space saving, high impact, retro utility, textured display, industrial voice, condensed, blocky, rounded corners, ink-trap feel, worn texture.
A condensed, heavy sans with tall proportions and rounded-rectangle construction. Strokes are largely monolinear, with subtly softened corners and occasional narrowings that read like ink traps or compressed joins. Counters are tight and vertical stems dominate, giving the alphabet a compact, poster-like rhythm. The outlines show a lightly distressed, uneven edge that adds texture without breaking the overall uniformity of the forms.
Best suited for headlines and short bursts of copy where a dense, high-impact texture is desirable—posters, event graphics, labels, and bold brand wordmarks. It can also work for signage or merchandising where vertical economy matters, but it benefits from generous size and spacing to keep counters from closing up.
The tone is bold and workmanlike, with a retro industrial flavor. Its narrow stance and dense color feel urgent and utilitarian, while the slight roughness introduces a handcrafted, stamped quality. Overall it reads confident and attention-grabbing rather than refined or quiet.
The design appears intended to maximize impact in a tight horizontal footprint, pairing monolinear strength with rounded-rect geometry for a sturdy, modern-industrial voice. The lightly worn contour suggests a deliberate nod to printed ephemera, stamping, or letterpress-like texture while keeping the overall construction clean and consistent.
In text, the condensed width creates strong vertical striping, and the tight apertures can make similar shapes (such as I/l and some rounded letters) feel close at small sizes. Numerals match the same tall, compact rhythm, maintaining a consistent dark typographic color across lines.