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Free for Commercial Use

Serif Flared Udda 6 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Olpal' by Bunny Dojo, 'Aspira' by Durotype, 'Muller Next' by Fontfabric, 'Fragtude' by Letterhend, 'NS Gibswing' by Novi Souldado, and 'Rodfat' by Rizki Permana (names referenced only for comparison).

Keywords: headlines, editorial, posters, book covers, branding, classic, authoritative, vintage, formal, impact, tradition, authority, print flavor, display focus, bracketed, flared, ink-trap like, sculpted, crisp.


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A sturdy serif with compact proportions and a strongly sculpted, flared finishing model. Stems stay relatively even through the main strokes, then broaden into wedge-like terminals and bracketed serifs that create a chiseled, poster-ready texture. Curves are full and controlled, with tight apertures in letters like C, S, and e, and a generally dark, continuous color in text. The lowercase shows a traditional, two-storey a and g, short-to-moderate ascenders, and fairly firm, straight-sided verticals; numerals are weighty and blocky with the same flared endings.

Best suited to headlines, subheads, posters, and book-cover typography where its compact width and dark color can carry emphasis. It also works well for editorial branding elements—mastheads, pull quotes, and section titles—especially in high-contrast layouts where the sculpted terminals can be appreciated.

The overall tone feels traditional and declarative, with a slightly old-style, print-era character. Its dense color and sharp terminals give it an authoritative, headline-forward voice that reads as formal and editorial rather than casual or decorative.

The design appears intended to deliver a compact, high-impact serif for display use while retaining traditional letterforms for familiar reading cues. The flared terminals and bracketed serifs suggest a goal of adding carved, print-like character and solidity without relying on extreme stroke contrast.

The flaring at joins and terminals can read almost like subtle ink-trap shaping at smaller details, adding crispness and preventing forms from looking overly blunt. The rhythm is tight and compact, favoring impact and stability over openness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸