Calligraphic Ifno 10 is a regular weight, normal width, high contrast, upright, short x-height font.
Keywords: book titles, editorial, packaging, invitations, branding, classic, formal, literary, refined, heritage tone, formal reading, classic elegance, editorial voice, bracketed serifs, calligraphic stress, oldstyle figures, open counters, crisp joins.
A high-contrast, upright serif with a calligraphic skeleton and clearly bracketed, wedge-like serifs. Strokes show a consistent diagonal stress, with sharp terminals and tapered entries that give the letterforms a subtly hand-drawn, pen-informed rhythm. Proportions are fairly compact with a short x-height, prominent ascenders, and rounded bowls that stay open and readable. The uppercase has a dignified, inscriptional presence, while the lowercase combines sturdy stems with lively curves and slightly varied glyph widths that keep the texture organic rather than rigidly mechanical. Numerals appear oldstyle, with varying heights and flowing curves that match the text rhythm.
Works well for book covers, chapter heads, and editorial headlines where a classic serif voice is desired. It can also support premium branding and packaging, as well as formal invitations or certificates, especially when set with comfortable tracking and leading to balance its contrast.
The overall tone is traditional and cultivated, with a bookish, editorial feel. Its contrast and tapered detailing lend it a polished, ceremonial character—more classical than casual—suited to designs aiming for heritage, authority, or literary sophistication.
The design appears intended to evoke a traditional, calligraphy-informed serif suitable for refined reading and display, pairing an authoritative uppercase with a more conversational, text-friendly lowercase and oldstyle numerals for a cohesive, literary tone.
In continuous text the face builds a strong vertical cadence from its sturdy stems, while the contrast and bracketed serifs add sparkle at display sizes. Round letters remain generous in their counters, and the italic-like movement in some curves contributes to a lively, slightly human texture without becoming overtly decorative.