Sans Superellipse Abrij 16 is a regular weight, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Adelle Mono' by TypeTogether (names referenced only for comparison).
Keywords: code, ui labels, terminal, data tables, technical docs, utilitarian, technical, clean, modern, no-nonsense, system utility, grid alignment, clarity, technical reading, squared-round, boxy, geometric, uniform, industrial.
A geometric sans with a squared-round (superellipse) construction, where curves feel pulled toward rounded rectangles rather than pure circles. Strokes are even and sturdy, terminals are flat, and corners are consistently softened, producing a crisp, modular texture. Proportions are tightly controlled with a strong vertical rhythm; counters are compact and the overall drawing favors clear interior shapes over flourish. Numerals and capitals read especially firm and engineered, while lowercase maintains the same disciplined, blocky logic.
Well suited to settings that benefit from steady spacing and a consistent, grid-aligned rhythm, such as code presentation, terminal-style interfaces, UI labels, and tabular or data-heavy layouts. It can also serve effectively in compact technical documentation and schematic-style graphics where clarity and uniformity are priorities.
The tone is pragmatic and technical, with an engineered, device-like calm. Its rounded corners keep it approachable, but the boxy geometry and consistent rhythm make it feel systematic and tool-oriented rather than expressive or decorative.
The design appears intended to provide a highly consistent, system-friendly voice with rounded-rect geometry that stays legible and orderly across dense lines of text. Its restrained shapes and firm terminals suggest a focus on functional communication and predictable texture.
The sample text shows a very regular horizontal cadence and consistent character footprint, reinforcing a grid-driven look. Round letters such as O/C/G and the bowls in B/P/R show superelliptical curvature, while diagonals in V/W/X/Y are kept simple and robust, matching the font’s utilitarian construction.