Serif Other Suha 9 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, signage, vintage, circus, western, playful, bold, showcard feel, vintage display, high impact, decorative serif, poster style, wedge serif, flared, ink-trap, notched, soft corners.
A heavy, display-oriented serif with flared wedge terminals and frequent notches that read like ink traps or carved cut-ins. Strokes are broad and mostly even, with chunky bowls and compact interior counters that create strong black presence at text sizes. Serifs are short to moderate, often triangular and slightly bracketed in feel, giving a chiseled silhouette rather than a bookish one. Curves are rounded but tightened by angular cuts at joins and terminals, and several forms show asymmetrical shaping and idiosyncratic detailing that keeps the rhythm lively across words and lines.
Best suited to headlines and short-form display settings where its notched, flared detailing can be appreciated—such as posters, event titles, storefront-style branding, packaging fronts, and large signage. It can also work for pull quotes or section openers when a strong vintage accent is desired, but the dense counters and heavy mass make it less appropriate for long passages at small sizes.
The overall tone is theatrical and old-timey, with a poster-like confidence that suggests showcards, circus bills, or vintage storefront lettering. Its exaggerated weight and carved details add a playful, slightly mischievous character while still feeling sturdy and emphatic.
The design appears intended to evoke hand-cut or showcard-inspired lettering through bold massing, wedge-like serifs, and deliberate cut-in shapes at terminals and joins. The goal seems to be maximum visual impact with a distinctive, period-leaning personality for attention-grabbing display typography.
The numerals match the letterforms with the same chunky proportions and notched terminals, and the overall spacing in the sample text supports compact, impactful setting. The decorative cuts are consistent enough to feel intentional, but prominent enough that the face reads as a display serif rather than a general-purpose text design.