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Free for Commercial Use

Serif Normal Beto 5 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Albra' by BumbumType, 'FS Sally' and 'FS Sally Paneuropean' by Fontsmith, and 'Francisco Serial' by SoftMaker (names referenced only for comparison).

Keywords: headlines, posters, editorial, book covers, brand marks, classic, stately, bookish, old-style, confident, impact, authority, heritage, editorial voice, print texture, bracketed, ball terminals, soft corners, ink-trap feel, display.


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A heavy, strongly modulated serif with pronounced thick–thin contrast and compact internal counters. Serifs are firmly bracketed and often flare into wedge-like feet, giving strokes a sculpted, slightly calligraphic finish. Many joins and terminals show subtle notches and tapered cuts that add texture and a faint ink-trap impression at heavier sizes. Lowercase forms are sturdy and rounded with tight apertures (notably in e, a, s), while numerals and capitals carry a consistent, weighty presence and a slightly condensed rhythm within the broad overall set width.

Well suited to headlines, pull quotes, and display settings where a bold, traditional serif voice is needed. It can also support editorial applications such as magazine titling or chapter openers, and works effectively for book covers or heritage-leaning identity work where strong contrast and sculpted serifs help establish authority.

The face projects a traditional, authoritative tone with a touch of vintage editorial character. Its dark color and carved terminal details feel confident and formal, evoking classic print typography and heritage branding rather than minimal modernism.

The design appears intended to deliver a classic serif presence with extra weight and contrast for impact, while retaining familiar text-serif proportions. The tapered cuts and bracketed serifs suggest a goal of adding print-like texture and robustness in bold display use.

At text sizes the dense weight and tight counters create a strong page color; the design reads best when given generous spacing and/or larger sizes. Distinctive terminal cuts and bracketing become more apparent in headlines and short lines, where the rugged detailing adds personality without turning decorative.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸