Sans Superellipse Tidoj 2 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Folio' by Bitstream, 'Midnight Sans' by Colophon Foundry, 'Miguel De Northern' by Graphicxell, and 'Posterman' by Mans Greback (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, merch, rugged, industrial, assertive, retro, utilitarian, impact, grit, vintage print, space-saving, stenciled, distressed, inked, condensed, blocky.
A condensed, heavy sans with rounded-rectangle construction and subtly irregular contours. Strokes are thick and largely monolinear, but the edges show intentional roughness and small bite-like notches that create a worn, printed texture. Counters tend to be compact and squarish, terminals are blunt, and the overall rhythm is tight with sturdy verticals and simplified joins that keep forms solid at display sizes.
Best suited for short, high-impact text such as posters, headlines, packaging labels, and bold signage where the distressed texture can be appreciated. It can also work for merchandise graphics or brand accents that want an industrial, stamped look, but the tight counters suggest avoiding very small sizes or long passages.
The texture and compressed weight give the font a tough, workmanlike voice—more gritty than polished. It reads as confident and forceful, with a hint of vintage signage and screen-printed ephemera due to the distressed edges and bold, compact silhouettes.
The design appears intended to combine condensed display efficiency with a deliberately worn, inked surface, evoking stamped lettering and rugged print processes while staying grounded in simple, rounded-rectangular sans forms.
Uppercase and lowercase share a consistent, compact geometry, helping mixed-case settings feel unified and headline-oriented. The numerals match the same stout, rounded-rectangular logic, and the overall texture becomes a prominent stylistic feature as size increases.