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Free for Commercial Use

Sans Superellipse Gymus 7 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Barakat' by Denustudio and 'Midsole' by Grype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, techy, futuristic, industrial, sporty, confident, modernize, maximize impact, tech branding, high visibility, friendly geometry, rounded corners, geometric, extended proportions, boxy rounds, compact counters.


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A geometric sans with extended proportions and a distinctly squared-round (superellipse) construction. Strokes are heavy and near-uniform, with corners consistently rounded rather than sharp, giving letters a soft-edged, machined look. Apertures and counters are compact and often rectangular-oval in feeling, and curves transition quickly into straight segments, producing a taut, engineered rhythm across words. Numerals follow the same squared-round logic, with clear, bold silhouettes and restrained interior space.

Best suited for short to medium-length display settings where a bold, modern voice is needed—headlines, posters, brand marks, packaging, and large-format signage. It can also work for UI titles, labels, and feature callouts when a sturdy, tech-leaning look is desired, though the dense counters suggest avoiding very small sizes for text-heavy passages.

The overall tone is modern and technology-forward, with a sporty, utilitarian confidence. Its rounded corners keep the voice approachable, while the wide stance and dense color create a strong, assertive presence that reads as contemporary and performance-oriented.

Likely designed to deliver a contemporary superelliptical look that feels both friendly and mechanical, combining wide proportions with rounded-corner geometry for strong visibility and a distinctive, modern identity.

The design emphasizes stable horizontals and verticals with minimal optical flair, favoring consistency and stencil-like solidity without actual breaks. Round letters (like O/Q) appear more like rounded rectangles than circles, and diagonals (V/W/X/Y) keep a clean, straight-edged geometry that reinforces the engineered aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸