Sans Other Uhfi 10 is a light, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, posters, branding, packaging, ui display, techno, futuristic, angular, mechanical, utilitarian, sci-fi styling, display impact, tech branding, motion cue, monoline, chamfered, polygonal, condensed feel, stencil-like.
A sharply angled, monoline sans with a pronounced forward slant and consistent, low-contrast strokes. Forms are built from straight segments and crisp corners, frequently using chamfers and clipped terminals instead of curves, which gives counters a boxy, polygonal geometry. Bowls and rounds are largely squared-off (notably in O/0 and D), while diagonals are clean and taut in letters like A, K, V, W, and Y. Spacing and rhythm feel engineered and somewhat modular, with simplified joins and occasional open apertures that read as intentionally schematic rather than calligraphic.
Best suited for short to medium-length display settings where its angular construction can be a feature: headlines, posters, titles, tech or gaming branding, packaging callouts, and interface or dashboard labels. It can also work for logos and wordmarks that benefit from a fast, engineered look, while long paragraphs may require generous size and spacing for comfort.
The overall tone is futuristic and technical, evoking sci‑fi interfaces, industrial labeling, and angular digital aesthetics. Its slanted stance adds a sense of motion and urgency, while the rigid geometry keeps the voice controlled and machine-made.
The design appears intended to translate a geometric, hard-edged construction into a slanted sans suitable for contemporary tech-forward visuals. By minimizing curves and emphasizing straight strokes with chamfered corners, it aims for a distinctive, high-impact texture that reads as modern, mechanical, and directional.
Distinctive, squared counters and clipped terminals give many glyphs a constructed, almost display-stencil flavor, especially in the numerals and rounded capitals. Lowercase shapes remain highly stylized with minimal curvature, which reinforces the font’s geometric consistency but can make extended reading feel more graphic than text-oriented.