Outline Mibo 10 is a very light, very wide, low contrast, upright, normal x-height font.
Keywords: display, logotypes, posters, headlines, ui titles, futuristic, technical, sci-fi, industrial, arcade, tech aesthetic, outline display, modular geometry, hud styling, geometric, octagonal, squared, monoline, inline.
A geometric outline face built from monoline contours with no fill, giving every glyph a hollow, wireframe presence. Forms are predominantly squared with chamfered corners and occasional octagonal bowls, creating a consistent hard-edged rhythm across capitals, lowercase, and numerals. Curves are minimized and replaced by faceted turns; counters read as crisp internal voids defined by the outer contour. Diagonals (V/W/X/Y) are straight and clean, while round letters (O/Q/C/G) resolve into angular, beveled shapes for a cohesive, engineered feel.
Best suited for display settings where the outline geometry can remain crisp—headlines, titles, posters, game/tech branding, and interface-style graphics. It can also work for logotypes and short wordmarks where the faceted construction adds character without relying on heavy weight.
The overall tone is futuristic and technical, evoking digital interfaces, arcade cabinets, and industrial labeling. Its open, outline construction feels schematic and lightweight, suggesting circuitry, HUD graphics, or architectural line drawings rather than traditional print typography.
The font appears designed to deliver a clean, engineered outline look that transforms conventional letterforms into faceted, techno-geometric shapes. Its consistent chamfered construction and hollow rendering suggest an intention to reference digital hardware, sci-fi visual systems, and modular industrial design.
Because the strokes are defined only by contour lines, the letterforms read best with sufficient size and contrast; at small sizes the double-line edges can visually merge. The design language remains very consistent across glyphs, with repeated chamfers and squared terminals reinforcing a modular, constructed aesthetic.