Slab Square Tanud 5 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'APN Ggantija' by Alphabets Patrick Nell, 'Goodall' by Colophon Foundry, and 'Kheops' by Tipo Pèpel (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, editorial display, sporty, assertive, retro, industrial, editorial, impact, urgency, ruggedness, signage, athletics, slab serif, heavy serifs, square terminals, bracketless, compact joins.
A heavy, forward-leaning slab serif with blocky, square-ended terminals and thick, largely even strokes. The serifs are prominent and mostly unbracketed, giving counters and joins a compact, engineered feel. Curves are sturdy and slightly squared-off in places, while the italic angle adds momentum without introducing calligraphic contrast. Overall proportions read as solid and stable, with simplified details that keep the texture bold and uniform across text.
Best suited to display typography such as headlines, posters, and attention-grabbing editorial moments where strong presence is needed. It can work well for sports-themed branding, labels, and packaging that benefit from a bold, vintage-leaning slab voice. For longer passages, it will be most comfortable when given generous size and spacing to keep counters from feeling crowded.
The tone is punchy and confident, with a sporty, headline-driven energy. Its squared slabs and dense color evoke vintage athletic and industrial signage, while the italic slant adds urgency and drive. The result feels emphatic and promotional rather than delicate or quiet.
The design appears intended to deliver maximum impact with a sturdy slab-serif structure and a dynamic italic stance. Its simplified, squared terminals and thick serifs suggest a focus on clarity and ruggedness in display settings, channeling classic signage and athletic headline aesthetics.
In text, the strong serifs and tight internal spaces create a dark, high-impact typographic color that favors larger sizes. The numerals share the same sturdy, squared construction, reinforcing a consistent, no-nonsense rhythm across mixed alphanumeric settings.