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Outline Siku 2 is a very light, narrow, low contrast, upright, normal x-height font.

Keywords: headlines, posters, signage, packaging, logos, industrial, technical, utilitarian, modern, architectural, space saving, modern display, technical voice, signage look, structural clarity, condensed, outline, monoline, rounded corners, geometric.


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A condensed, monoline outline design built from a single continuous outer contour with open counters. Strokes maintain an even drawing weight and consistent spacing, producing a clean, engineered rhythm. Terminals and corners are predominantly squared off with subtly softened joins, while bowls and curves stay tight and vertical, reinforcing a compact, tall silhouette. The alphabet shows a straightforward grotesque-like construction with simple forms and minimal ornament, prioritizing clarity of shape over calligraphic nuance.

Best suited to short display settings where the outline effect can remain crisp: headlines, posters, packaging callouts, and environmental or wayfinding-style signage. It can also work for logos or wordmarks that want a fabricated, architectural feel. For extended reading or small sizes, the open outline construction may need generous size and spacing to preserve clarity.

The overall tone feels industrial and technical, like lettering intended for plans, schematics, or fabricated signage. Its stripped-down outline construction gives it a lightweight, airy presence while still reading as firm and utilitarian. The condensed proportions and crisp edges add a contemporary, infrastructural character.

The design appears intended to deliver a space-efficient, modern display voice with a precise, constructed look. By relying on an outline contour rather than filled strokes, it emphasizes form and structure, suggesting applications where a lightweight, technical aesthetic is desired without sacrificing a consistent, system-like rhythm.

Because the design is purely outlined, internal whitespace and letterspacing play a large role in legibility; the narrow forms can look especially dense in long lines. The numerals follow the same tall, compact logic, making them visually consistent for codes and labeling. The uniform contour treatment helps keep texture even across mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸