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Inline Fika 3 is a regular weight, normal width, monoline, upright, normal x-height font.

Keywords: headlines, posters, logotypes, ui branding, packaging, futuristic, techy, retro, neon, geometric, tech styling, display impact, systematic geometry, distinctive branding, neon motif, rounded corners, inline detail, outline feel, modular, squared.


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A geometric sans with squared proportions and generously rounded corners, drawn with uniform stroke thickness and a consistent inline channel running through the strokes. Curves are built from soft rectangles rather than true circles, giving counters a squarish, capsule-like shape and keeping joins clean and mechanical. Many glyphs use open terminals and simplified construction, producing a modular rhythm that stays consistent across uppercase, lowercase, and numerals. The inline detailing reads like a carved track and becomes most prominent in verticals and bowls, reinforcing the font’s structured, engineered look.

Best suited for headlines, titling, and short bursts of text where the inline detailing can be appreciated. It works well for tech branding, game/film graphics, event posters, and packaging that wants a sleek engineered feel. For longer passages, using larger sizes and comfortable tracking helps preserve clarity.

The overall tone feels futuristic and display-oriented, evoking digital interfaces, sci‑fi titling, and retro-tech aesthetics. Its inline channels suggest neon tubing or technical drafting, creating a crisp, high-contrast impression even without heavy weight. The result is confident and sleek, with a slightly playful, arcade-era edge.

The design appears intended to deliver a modern, technology-forward display face by combining monoline geometry with an internal inline channel. Its rounded-square construction and simplified terminals prioritize a clean, repeatable system, aiming for a distinctive signature that remains consistent across the full alphanumeric set.

Because the design relies on interior linework and open forms, it benefits from ample size and breathing room; at smaller sizes the inline channels can visually merge. The sample text shows strong consistency of the rounded-rect geometry across letters, punctuation, and numerals, maintaining a cohesive “track-and-frame” motif.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸