Slab Square Udreh 6 is a regular weight, normal width, low contrast, italic, tall x-height font visually similar to 'Bomburst' by VersusTwin (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, game ui, techno, retro, dynamic, industrial, futuristic, speed, precision, edge, impact, signage, angular, faceted, chiseled, slab-serif, square-cut.
A sharply slanted, angular slab-serif with square-cut terminals and faceted stroke joins that read almost stencil-like in places. Letters are built from straight segments and hard corners, with minimal curvature and small triangular notches at some joins and interior corners. Proportions run tall and condensed in feel, with a notably high lowercase x-height and narrow apertures that keep counters tight. The numerals follow the same geometric, cut-metal logic, producing a uniform, engineered rhythm across text and display sizes.
Best suited to headlines, posters, titling, and identity work where its angular detailing and slanted energy can carry the page. It can also work well for esports/sports branding, product graphics, and game or tech UI labels where a mechanical, forward-leaning voice is desired.
The overall tone is fast, technical, and slightly aggressive—like signage for motorsport, sci‑fi interfaces, or industrial equipment. Its crisp angles and forward slant give it a sense of motion and precision, while the squared slabs add a rugged, utilitarian edge.
The letterforms appear designed to evoke machined precision and speed by combining squared slabs with faceted, cut-in corners and an assertive slant. The consistent straight-line construction suggests an intention to deliver a distinctive, engineered look that remains coherent across uppercase, lowercase, and figures.
The design’s frequent corner cuts and reduced curves create a distinctive zig-zag texture in words, especially noticeable in diagonals (V, W, X, Y) and in letters with bowls or curves that are rendered as straight-sided forms. Spacing appears tuned for impactful word shapes rather than quiet running text, with the sharp terminals contributing to a strong horizontal cadence.