Sans Superellipse Onmab 14 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Nusara' by Locomotype, and 'Tipperary eText' by Monotype (names referenced only for comparison).
Keywords: ui labels, wayfinding, product branding, editorial decks, data display, modern, neutral, clean, friendly, utilitarian, general-purpose, screen legibility, modern branding, clarity, approachability, superelliptical, rounded, geometric, monoline, open apertures.
A modern sans with a superelliptical, rounded-rectangle construction that keeps curves smooth and corners softly squared. Strokes are largely monoline with minimal modulation, and the overall rhythm is even and steady. Counters tend to be generous and open, with clear apertures in letters like c, e, and s, supporting legibility. The uppercase feels sturdy and structured, while the lowercase maintains a straightforward, workmanlike texture with simple terminals and compact joins.
This font is well suited to interface text, navigation, and product UI where consistent rhythm and open counters help quick scanning. It also fits signage and wayfinding at medium sizes, and works cleanly in presentations, reports, and brand systems that want a modern, rounded geometric voice. The clear numerals make it a solid choice for dashboards, tables, and mixed text-and-number content.
The tone is contemporary and pragmatic, with a calm, approachable friendliness coming from its rounded geometry. It reads as matter-of-fact rather than expressive, making it feel reliable and unpretentious. The overall impression fits modern product and interface aesthetics without calling attention to itself.
The design appears intended as a broadly usable, contemporary sans that balances geometric construction with softened edges for approachability. Its emphasis on uniform strokes, open shapes, and steady spacing suggests an aim toward clarity and consistency across everyday communication and digital contexts.
Round forms (O, Q, 0) lean toward squarish curves rather than perfect circles, reinforcing a tech-forward superellipse feel. Numerals appear clear and evenly weighted, matching the letterforms closely for consistent color in mixed alphanumeric settings.