Sans Faceted Ebru 6 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Kairos Sans' by Monotype, 'Navine' by OneSevenPointFive, 'Hype vol 3' by Positype, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, sportswear, team branding, gaming ui, sporty, industrial, action, futuristic, tactical, speed emphasis, impact display, technical tone, brand toughness, geometric faceting, faceted, angular, chamfered, slanted, compact.
This typeface is a heavy, right-slanted sans with sharply faceted construction in place of true curves. Strokes terminate in crisp chamfers, producing octagonal counters and cut-in corners that keep round letters like O, C, and G feeling engineered rather than geometric. The overall rhythm is compact and muscular, with tight apertures, squared shoulders, and sturdy diagonals that read consistently across upper- and lowercase. Numerals match the same beveled, stencil-like geometry, maintaining a uniform, high-impact texture in text and display settings.
Best suited to short, high-contrast applications where impact matters: headlines, posters, product marks, and athletic or esports identities. It also fits labeling and UI contexts that benefit from a technical, rugged tone, especially at medium-to-large sizes where the faceting remains clear and intentional.
The faceted slant and hard corners give the font a fast, competitive tone—like sports branding, motorsport markings, or sci‑fi interface labeling. Its visual voice feels assertive and utilitarian, emphasizing momentum and toughness over softness or refinement. The result is a confident, no-nonsense style that signals performance and durability.
The design appears intended to merge a bold italic skeleton with a consistent beveled/planar detailing system, turning conventional sans shapes into a sharp, mechanical voice. Its goal is to project speed and strength while staying legible through sturdy proportions and repeated angular cues.
The italic angle is pronounced enough to suggest motion while still keeping letterforms stable and blocky. Counters are generally small and angular, and the repeated chamfer motif provides strong stylistic coherence across the set, especially visible in the rounded letters and the 2/3/5/8/9 forms.