Print Jibav 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dash Decent' by Comicraft, 'Knicknack' by Great Scott, 'Cake Couture' by Putracetol, and 'Aristotelica Pro' by Zetafonts (names referenced only for comparison).
Keywords: kids branding, packaging, posters, headlines, stickers, playful, friendly, bubbly, kidlike, casual, approachability, humor, informality, high impact, softness, rounded, soft, chunky, blobby, cartoonish.
A heavy, rounded display face with soft, bulbous terminals and smoothly inflated strokes that feel hand-shaped rather than mechanically constructed. The letterforms lean on simple geometric cores with generous curves, minimal interior detailing, and consistently rounded corners throughout. Counters are compact and often asymmetrical, and the baseline rhythm is slightly bouncy, reinforcing an informal, drawn quality. Numerals match the alphabet’s chunky silhouette with simplified shapes and broad, friendly proportions.
Best suited for short, attention-grabbing text where a friendly, playful voice is desired—such as children’s products, casual packaging, event posters, stickers, social graphics, and bold headings. It works particularly well when you want a soft, rounded look that stays legible at display sizes.
The overall tone is upbeat and approachable, with a warm, humorous personality that reads as intentionally goofy and welcoming. Its squishy forms and uneven, humanized contours give it a lighthearted, kid-friendly energy without feeling chaotic.
The design appears aimed at delivering maximum friendliness and impact through inflated, rounded shapes and a hand-drawn looseness. It prioritizes an approachable, cartoon-like presence for expressive display typography rather than formal text setting.
The type shows strong silhouette presence at larger sizes, with distinctive rounded joins and occasional pinched transitions that emphasize a hand-pressed, cartoon texture. Because the counters are tight and the strokes are thick, fine detail is minimized and the font’s character is carried primarily by its outer shapes and spacing.