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Pixel Other Isfe 5 is a regular weight, normal width, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, game ui, tech branding, event graphics, digital, retro, technical, industrial, arcade, readout mimicry, retro tech, modular system, high impact, segmented, angular, chamfered, modular, geometric.


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A modular, segment-based design built from straight strokes with sharp chamfered terminals and small internal gaps where segments meet. Forms are largely rectilinear and geometric, with consistent stroke thickness and a disciplined, grid-like construction that keeps counters open and corners crisp. Capitals read as condensed and architectural, while lowercase introduces more distinctive, broken-stem silhouettes that preserve the segmented logic. Numerals follow a display-inspired structure with clear, separate segments and squared-off curves.

Works best for headlines, titles, and short bursts of text where the segmented construction is a feature rather than a distraction. It suits game UI, scoreboards, sci‑fi or cyber-themed graphics, and branding that wants a digital readout or engineered aesthetic. For longer passages, larger sizes and generous spacing help maintain clarity around the internal gaps and angular joins.

The font conveys a digital, instrument-panel attitude with a strong retro-electronic feel. Its segmented construction suggests precision and circuitry, balancing a utilitarian tone with a game-like, arcade energy. Overall it feels engineered and mechanical rather than handwritten or organic.

The design appears intended to translate seven-segment and digital readout logic into a fuller alphabet, keeping the modular, broken-stroke look while adding enough distinctive features for letters to remain recognizable. It prioritizes a consistent segment system and a bold, mechanical texture suitable for display use.

Letterforms maintain a consistent segment vocabulary across cases, creating a cohesive rhythm in text while remaining intentionally discontinuous at joins. The angular treatment and frequent diagonal cuts help differentiate similar shapes (e.g., rounded characters versus straight-sided ones) without soft curves. In longer lines, the repeated breaks create a patterned texture that reads best at display sizes where the segment gaps stay distinct.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸