Sans Superellipse Ommoj 7 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, ui display, signage, techy, futuristic, industrial, confident, clean, modernize, systematize, futurism, utility, brand impact, rounded corners, square-oval forms, closed apertures, compact curves, stencil-like breaks.
A geometric sans built from squared, superelliptical curves with consistently rounded corners and near-uniform stroke thickness. Counters tend toward rounded-rectangle shapes, and many letters use fairly closed apertures, producing solid, compact silhouettes. Terminals are clean and squared-off, with occasional small notches and separated joints that create a slightly modular, cut-out feel. Overall proportions are steady and utilitarian, with wide, stable bowls and simple, engineered curves that keep texture even in paragraphs.
Best suited to headlines, logos, packaging, and short UI labels where its compact, rounded-rect geometry can read as modern and purposeful. It also works well for signage and wayfinding that benefits from sturdy, high-contrast shapes. For longer text, it performs most comfortably at larger sizes where the tight apertures and modular details remain clear.
The tone reads contemporary and technical, with a restrained, engineered personality. Its rounded-square geometry suggests digital interfaces, machinery, and product design rather than handwriting or editorial warmth. The subtle breaks and notches add a sci‑fi/industrial edge while keeping the overall look disciplined and legible at display sizes.
The design appears intended to deliver a modern geometric voice rooted in rounded-rectangle construction, balancing friendliness from softened corners with a distinctly engineered, futuristic structure. The consistent strokes and simplified joins suggest an emphasis on clean reproduction and a strong, graphic presence across both letters and numerals.
Round letters like O and Q appear more like softened rectangles than true circles, reinforcing a superellipse theme across the set. Several glyphs show deliberately simplified joins and tight openings (notably in forms like S, a, e), which increases graphic punch but may reduce clarity at very small sizes. Numerals follow the same squared-curve logic for a cohesive alphanumeric rhythm.