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Inline Ilba 8 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Alternate Gothic' by Bitstream, 'Alternate Gothic Pro Antique' and 'Alternate Gothic Pro EF' by Elsner+Flake, 'CF Blast Gothic' by Fonts.GR, 'Alternate Gothic' by Linotype, 'Alternate Gothic Pro' by SoftMaker, and 'Alternate Gothic' by Tilde (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logotypes, vintage, playful, circus, poster, retro, decorative depth, poster impact, signage feel, vintage revival, condensed, all-caps friendly, inline detail, rounded corners, display.


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A condensed display face with tall proportions and an internal inline cut that runs through the strokes, creating a hollowed, sign-paint-like texture. Stems are thick and fairly uniform, with rounded outer curves on bowls and terminals that keep the forms approachable rather than sharp. The inline detail is consistently inset, producing a double-outline effect in curves and a carved channel through verticals and horizontals; joins remain compact and legible even in tight counters. Overall spacing is compact and the rhythm is vertical, with narrow letterforms and firm, poster-ready silhouettes.

Best suited to display contexts such as posters, headlines, packaging fronts, and signage where the inline detail can read cleanly. It can also work for short logotypes or event branding that wants a vintage showcard flavor, especially in single-color applications that still need dimensional interest.

The inline carving and condensed stance evoke classic showcard, circus, and mid-century poster typography. It feels energetic and theatrical, with a friendly, slightly whimsical tone that reads as nostalgic rather than formal. The style suggests illuminated signage or marquee lettering, making the font feel attention-seeking and celebratory.

The font appears designed to deliver strong, condensed silhouettes with built-in decorative depth via an internal inline cut. Its consistent carving and rounded geometry suggest an intention to mimic traditional outlined/engraved signage while remaining punchy and readable at display sizes.

The design’s impact relies on the interplay between heavy outer strokes and the internal inline gap, which adds texture without requiring additional colors. The condensed proportions and small counters mean it benefits from moderate-to-large sizes where the inline channel stays clear. Numerals follow the same inline logic and match the vertical emphasis of the capitals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸