Sans Faceted Fibu 1 is a regular weight, wide, low contrast, italic, normal x-height font.
Keywords: headlines, branding, sportswear, gaming, posters, futuristic, technical, sporty, aggressive, industrial, speed, precision, modernity, impact, tech aesthetic, angular, chamfered, faceted, oblique, geometric.
An oblique sans with a hard-edged, faceted construction: curves are replaced by straight segments and chamfered corners, creating octagonal counters in forms like O, Q, and 0. Strokes stay largely uniform, with crisp terminals that often end in angled cuts, giving letters a machined, planar feel. Proportions skew wide with generous set width, while the rhythm remains consistent across caps, lowercase, and numerals; several glyphs (notably S, Z, and 2) emphasize flat horizontal segments and sharp diagonals for a crisp, engineered silhouette.
Best suited to short, high-impact settings where its faceted silhouettes can read as a design feature: headlines, posters, product marks, esports and gaming graphics, and tech or industrial branding. It can also work well for UI labels, signage, or packaging callouts when a sharp, engineered voice is desired.
The overall tone feels fast, modern, and performance-oriented—more like engineered signage or equipment labeling than editorial text. Its faceted geometry and forward slant suggest speed and precision, with a slightly aggressive edge that reads as tech-forward and sporty.
The design appears intended to translate a geometric, machined aesthetic into a clean sans, using chamfers and planar facets to imply speed and precision while maintaining legibility. The consistent oblique angle and simplified construction suggest a focus on contemporary display use and bold visual identity rather than neutral text setting.
Lowercase mixes compact, single-storey forms with distinct angled joins; the octagonal construction is especially evident in round letters (o, p, q, e) and in the numerals (6, 8, 9). The italic slant is consistent and helps unify the otherwise angular shapes, while the open apertures and simplified joins keep the texture from becoming overly dense in short lines.