Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Inline Byru 1 is a very bold, wide, medium contrast, italic, tall x-height font.

Keywords: posters, headlines, packaging, branding, event promos, retro, circus, playful, rowdy, punchy, attention-grabbing, decorative depth, vintage signage, expressive display, shadowed, outlined, chunky, quirky, jaunty.


Free for commercial use
Customize the font name

A heavy, right-leaning display face with compact inner counters and an inline channel carved through the strokes. Letterforms are built from chunky, slightly irregular curves and tapered joins, giving a hand-cut, poster-like rhythm rather than a strictly geometric construction. The inline detail reads like a narrow highlight/shadow track that follows the contours, adding depth and movement; terminals are mostly blunt with occasional angled cuts. Spacing and widths feel intentionally uneven in places, contributing to a lively, non-mechanical texture in words and lines of text.

Best suited to large-scale display settings such as posters, event promotions, logos, product packaging, and attention-grabbing headlines where the inline detail can be appreciated. It also works well for short, energetic phrases or decorative titling, especially in retro or entertainment-oriented designs.

The overall tone is theatrical and vintage, evoking fairground signage, old posters, and headline typography meant to grab attention. The slant and carved inline create a sense of motion and showmanship, while the slightly quirky shapes keep it informal and fun rather than formal or corporate.

The design appears intended to deliver maximum impact with a bold silhouette while adding crafted character via an internal inline cut that suggests shading and depth. Its slightly irregular, energetic forms prioritize personality and presence over neutrality, aiming for expressive, poster-ready typography.

Numerals and capitals maintain the same carved-through treatment and bold silhouette, staying legible at display sizes while becoming visually busy at small sizes due to the internal channel and tight counters. The inline behaves consistently across glyphs, acting as a built-in highlight that gives the black shapes a dimensional, sign-painted feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸