Print Tydod 10 is a bold, narrow, medium contrast, upright, short x-height font.
Keywords: kids branding, packaging, posters, headlines, greeting cards, playful, friendly, casual, handmade, bouncy, handwritten feel, approachability, informal display, cheerful tone, rounded, brushy, chunky, soft terminals, irregular rhythm.
A lively hand-drawn print with thick, brush-like strokes and rounded terminals. Forms are generally upright but show organic wobble, with uneven stroke edges and subtly shifting widths that create an intentionally imperfect rhythm. Counters are small-to-medium and often asymmetrical, and curves dominate over sharp corners, giving letters a soft, blobby silhouette. Spacing and character widths vary noticeably across the set, reinforcing the informal, made-by-hand feel.
This font is well suited to short, attention-grabbing copy such as posters, packaging, social graphics, and cheerful branding, especially where a handmade voice is desired. It can also work for titles in children’s materials or greeting-card style messaging, where its informal rhythm adds charm. For longer passages, it’s best used at comfortable sizes where the brushy shapes and tight counters remain clear.
The overall tone is warm and approachable, with a playful, slightly quirky energy. Its bouncy shapes and softened details read as personable and informal, more like marker or brush lettering than a constructed display face. It suggests spontaneity and friendliness rather than precision or authority.
The design appears intended to emulate quick, confident hand lettering with a marker/brush feel—prioritizing warmth, charm, and personality over typographic regularity. Its construction aims to look natural and human, with controlled inconsistencies that keep repeated letters from feeling mechanical.
Uppercase and lowercase share the same rounded, brushy construction, helping mixed-case settings feel cohesive. Numerals follow the same chunky, hand-rendered logic, maintaining consistency across text that includes dates or pricing. The texture comes primarily from stroke irregularity and soft terminal treatment rather than strong geometric structure.