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Free for Commercial Use

Bubble Wati 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Knicknack' by Great Scott, 'HiH Large' by HiH, and 'Jennie on the Block' by Woodcutter (names referenced only for comparison).

Keywords: children’s design, posters, packaging, branding, stickers, playful, cheerful, friendly, cartoony, bouncy, friendly display, whimsy, informality, impact, rounded, soft, blobby, chunky, irregular.


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A heavy, rounded display face with softly inflated forms and an intentionally uneven, hand-drawn rhythm. Strokes are thick and low-contrast, with bulbous terminals and subtly wobbly contours that keep the outlines from feeling mechanical. Counters tend to be small and rounded, and several letters show asymmetric shaping and varied internal spacing, contributing to a lively, slightly quirky texture. The overall silhouette is compact and punchy, with clear forms that rely on mass and curvature rather than sharp corners or crisp joins.

Best suited for short-to-medium display settings where personality is the priority: children’s products, playful packaging, snack or confectionery branding, casual poster headlines, and expressive social or retail graphics. It also works well for labels, badges, and attention-grabbing UI moments where a friendly, informal voice is desired.

The font conveys a warm, upbeat tone that feels approachable and humorous. Its puffy shapes and irregularities suggest casual, kid-friendly energy, making text feel less formal and more conversational. The overall impression is lighthearted and fun, with a whimsical character that stands out quickly.

The design appears intended to deliver maximum friendliness and visual impact through rounded volume, simplified construction, and a deliberately imperfect outline. Its consistent puffiness and uneven rhythm prioritize character over neutrality, aiming for an inviting, cartoon-like presence in display typography.

The densest letters (like M, N, W) become quite blocky due to the heavy weight and tight counters, which increases impact but can reduce interior clarity at smaller sizes. Numerals follow the same rounded, chunky language and read best when given generous size and breathing room. The texture benefits from slightly looser tracking in longer lines to avoid a dark, crowded appearance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸