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Free for Commercial Use

Calligraphic Opza 2 is a light, narrow, medium contrast, italic, short x-height font.

Keywords: book covers, editorial, headlines, invitations, branding, classic, literary, handcrafted, elegant, whimsical, formal warmth, period flavor, readable display, calligraphic texture, storybook tone, wedge serif, tapered strokes, pen-drawn, sharp terminals, lively rhythm.


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A right-leaning calligraphic serif with crisp, tapered strokes and modest thick–thin modulation. Serifs are sharp and wedge-like, and many terminals flick upward or finish with a slight hook, creating a rhythmic, written flow. Proportions are compact and vertically oriented, with a relatively small lowercase presence and tall ascenders/descenders; spacing appears airy, helping the delicate strokes stay legible. Numerals follow the same pen-drawn logic, with open curves and angled entry/exit strokes.

Best suited for display and editorial applications such as book covers, chapter titles, pull quotes, posters, and cultural or historical branding. It can work well for invitations, menus, and packaging where a formal calligraphic voice is desired. For longer body text, it will perform most comfortably at moderate sizes where the fine strokes and compact lowercase remain clear.

This face conveys a literary, old-world mood with a gentle, human touch. Its lively slant and subtle irregularities feel expressive and handcrafted rather than engineered, giving text a poised yet personable tone. Overall, it reads as refined and slightly whimsical, suited to storytelling and classical themes.

The design appears intended to simulate a controlled broad-nib or pointed-pen writing style while remaining consistent enough for setting phrases and short passages. It balances ornament and restraint: distinctive wedges, angled stress, and flicked terminals provide character without becoming overly decorative. The overall goal seems to be adding historical and handcrafted texture to text in a polished way.

The uppercase has a stately, inscription-like presence, while the lowercase introduces more movement through looped forms and occasional angular joins. The sample text shows a consistent baseline and steady slant, with enough natural variation in stroke endings to preserve a handmade impression.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸