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Stencil Mudu 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Geometric Stencil' by Apply Interactive, 'Futura Black' and 'Futura Black WGL' by Bitstream, 'Futura Black EF' and 'Geometric Stencil EF' by Elsner+Flake, 'Futura' by Linotype, 'Futura Now' by Monotype, 'Futura ND Black' by Neufville Digital, and 'Futura Black' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, dramatic, retro, graphic, authoritative, display impact, stencil motif, graphic branding, sign system, geometric, angular, monoline, modular, high-impact.


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A heavy, geometric stencil with monoline strokes and sharply cut internal breaks that create crisp “bridges” throughout bowls and diagonals. Forms lean on simple verticals, semicircular curves, and wedge-like triangular notches, giving many letters a constructed, modular feel. Curves are broad and clean, counters are relatively open for the weight, and terminals are abrupt, often squared or faceted by the stencil cuts. The overall rhythm is blocky and emphatic, with distinctive split shapes in round letters and diagonally segmented construction in letters like N, W, X, and Z.

Best suited to large-scale display settings where the stencil cuts and geometric construction can be appreciated—posters, bold editorial headlines, branding marks, packaging callouts, event graphics, and signage. It can also work for short phrases or title treatments where a strong, industrial voice is desired.

The tone is bold and architectural, evoking industrial marking, display lettering, and vintage sign systems. Its hard cuts and high black coverage read as confident and attention-grabbing, with a slightly theatrical, poster-like presence.

The design appears intended to fuse classic stencil logic with a modern geometric display structure, prioritizing strong silhouettes and striking negative-space cuts for immediate impact in titling and graphic applications.

Stencil breaks are treated as a core design motif rather than purely functional gaps, producing recognizable silhouettes even at a glance. Numerals follow the same split-and-bridge logic, keeping the set visually consistent in headlines and large figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸