Solid Pomo 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fattty' by Drawwwn and 'Mr Dum Dum' by Hipopotam Studio (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, album covers, playful, retro, chunky, quirky, cartoon, attention grabbing, graphic texture, retro display, silhouette focus, geometric, rounded, angular, stencil-like, blocky.
A heavy, block-based display face built from simplified geometric masses with prominent wedge cuts and occasional notched corners. Curves are broad and bulbous, while many joins terminate in sharp triangular bites that create a punchy, irregular rhythm across words. Counters are largely collapsed into solid forms, with a few strategic apertures or cuts suggesting internal structure rather than fully open bowls. The lowercase shows more asymmetry and idiosyncratic silhouettes than the uppercase, and the numerals echo the same carved, chunky construction for a cohesive, poster-ready texture.
Best suited to display settings where strong silhouettes and a distinctive texture are desirable: posters, cover art, branding marks, short headlines, and packaging. It performs especially well when given generous size and spacing so the wedge cuts and quirky geometry remain clear.
The overall tone is loud and mischievous, blending a mid‑century poster sensibility with a toy-like, cut-paper attitude. Its solid fills and dramatic bite marks give it a bold, attention-grabbing presence that feels fun, slightly unruly, and intentionally unconventional.
The design appears intended as a high-impact novelty display face that trades conventional counterforms for solid, sculpted silhouettes. Its repeated wedge-cut motif and simplified geometry suggest a deliberate effort to create a memorable, retro-leaning headline style with strong graphic presence.
Spacing and color are dominated by large black shapes, so word images read as strong silhouettes rather than internal detail. The carved notches create a distinctive texture line-to-line, but also introduce uneven edge rhythm that becomes a defining stylistic feature at larger sizes.