Pixel Other Figi 12 is a light, narrow, medium contrast, italic, normal x-height font.
Keywords: ui labels, dashboards, scoreboards, sci-fi titles, tech posters, digital, technical, retro, instrumental, futuristic, display mimicry, interface clarity, retro tech mood, modular system, segmented, angular, octagonal, monoline, modular.
A segmented, display-driven design built from straight, modular strokes with clipped, chamfered terminals that create an octagonal rhythm. The letterforms are constructed from discrete bars with small gaps at joins, producing a quantized, instrument-readout feel while still maintaining recognizable Latin shapes. Strokes are predominantly monoline, with slight implied slant in many forms and a compact overall footprint; counters are small and squarish, and curves are typically suggested through stepped segment changes rather than continuous arcs. Lowercase follows the same segmented logic with simplified bowls and open joins, and figures are similarly bar-constructed with clear, geometric silhouettes.
Well-suited for interface-like typography such as dashboards, device mockups, in-game HUDs, and control-panel labeling, as well as sci-fi or cyber-themed headlines and posters. It can also work effectively for short brand marks or event titles where a digital, segmented voice is desired, and for numeric-forward settings like timers or scoreboard-style graphics.
The font reads as electronic and utilitarian, evoking LED/LCD segment displays, lab equipment, and retro-futurist interfaces. Its crisp angles and modular construction give it a coded, mechanical tone that feels calibrated and engineered rather than expressive or handwritten.
The design appears intended to translate segment-display construction into a fuller alphabet, preserving the clarity and modular economy of electronic readouts while extending it to headline and interface typography. It prioritizes a consistent segmented system and a clean, technical texture over continuous curves and traditional calligraphic modulation.
Because many glyphs rely on separated segments, the design benefits from generous tracking and larger sizes where the breaks and angled terminals stay distinct. Similar modular constructions across letters and numbers create a consistent texture, while diagonals (e.g., in K, V, X, Y) add a slightly more dynamic cadence than typical seven-segment styles.