Sans Rounded Veva 1 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Apice' by Stefano Giliberti (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, game ui, playful, retro, techy, friendly, chunky, impact, brand voice, retro-tech, modular forms, display clarity, geometric, soft-cornered, octagonal, stencil-like, high-contrast counters.
A heavy, geometric sans with a monoline feel and softened corners throughout. Many curves resolve into chamfered, near-octagonal shapes, giving round letters like O/C/G and numerals like 0/8 a faceted silhouette. Strokes are broad and consistently thick, with compact internal counters and sturdy joins; the lowercase shows single-storey forms (a, g) and a short, rounded-shoulder rhythm in n/m/h. Overall spacing reads even and stable, optimized for big shapes and strong word silhouettes rather than delicate detail.
Best suited to headlines and short phrases where its chunky geometry can read clearly and carry personality. It performs well in branding, logo marks, packaging, and display signage, and it also fits digital contexts like game UI, app headers, and stream/thumbnail graphics. For longer text, it works most comfortably at larger sizes where the tight counters and heavy color don’t overwhelm readability.
The faceted rounding and hefty strokes create a playful, game-like tone with a subtle industrial/arcade flavor. It feels friendly and approachable while still projecting a mechanical, constructed character—more "built" than "written." The look suggests bold signage and retro-tech graphics, with an energetic, cartoonish confidence.
The design intention appears to be a bold, friendly display sans that mixes rounded terminals with faceted, chamfered construction for a distinctive, modular feel. It aims for immediate impact and recognizability, prioritizing strong silhouettes and consistent shape logic across letters and numerals. The result is a contemporary-retro voice that reads as both approachable and engineered.
Several glyphs use angled cut-ins and wedge-like terminals that echo each other across the set (notably in E/F/S and the diagonal forms like K/X/Y), reinforcing a cohesive, modular system. The numerals are especially poster-ready, with distinctive, blocky forms and tightly managed counters for high impact. Punctuation in the sample (colon, apostrophe, ampersand, question mark, period) matches the same rounded, chunky vocabulary for consistent texture in text.