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Free for Commercial Use

Sans Superellipse Egha 2 is a regular weight, very narrow, low contrast, italic, tall x-height font visually similar to 'Initiate' by Stiggy & Sands (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, sportswear, sleek, kinetic, modern, sporty, efficient, space saving, speed emphasis, modern utility, technical tone, display clarity, condensed, oblique, monoline, rounded corners, high-waisted.


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A condensed oblique sans with a monoline feel and softened, squared-off curves that read as superellipse-like rather than purely circular. The proportions are tall and compact, with narrow counters and tight internal spaces, and the lowercase sits high with short ascenders and descenders relative to the overall height. Terminals are clean and mostly blunt, with gentle rounding at corners that keeps the texture smooth despite the strong forward slant. Overall spacing and rhythm create a fast, continuous vertical cadence suited to stacked lines and compact settings.

Works best in headlines, subheads, and short blocks where a compact, fast-looking texture is desirable. It suits branding systems that need a streamlined italic voice for emphasis, as well as posters and packaging where vertical economy matters. The condensed forms also make it useful for signage-style layouts or side labels when space is limited.

The forward lean and compressed stance give the face a sense of speed and precision, suggesting motion, efficiency, and contemporary utility. Rounded-rectangle curves add a mildly technical, engineered tone rather than a friendly or decorative one. The overall impression is modern and performance-oriented, with a streamlined voice that feels at home in dynamic branding.

The design appears intended to deliver a space-saving, high-energy oblique sans with a controlled, geometric backbone. Its rounded-rectangle curvature and restrained stroke behavior prioritize consistency and a modern, engineered look, aiming for legibility and impact in display-oriented typography.

Caps and figures share the same narrow, upright construction translated into an oblique angle, producing a consistent, disciplined texture. Round letters like O/Q/0 are more squared in silhouette, reinforcing a slightly technical geometry. The sample text shows strong line economy and a crisp presence that remains cohesive across mixed-case and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸