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Free for Commercial Use

Stencil Uplu 2 is a regular weight, normal width, monoline, upright, normal x-height font.

Keywords: posters, headlines, branding, logos, packaging, futuristic, industrial, technical, sci‑fi, display, theme display, stencil styling, tech aesthetic, identity impact, geometric, angular, rounded corners, gapped strokes, high contrast (negative).


Free for commercial use
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A geometric, monoline sans with crisp, straight segments and rounded corners, built around consistent stroke thickness and generous internal spacing. Many glyphs feature deliberate breaks that create stencil-like bridges and open counters, giving the forms a segmented, engineered feel. Curves are simplified into smooth arcs and partial bowls, while diagonals are clean and sharp, producing a tight, modular rhythm across capitals, lowercase, and numerals. Overall proportions read balanced and contemporary, with distinctive cut-ins and gaps that become a central part of the letter structure.

Best suited for display applications where its segmented stencil details can remain clear: posters, headlines, tech-themed branding, product marks, packaging, and titles. It also works well for short UI/hero text or signage-style graphics when a futuristic industrial voice is desired.

The broken strokes and modular construction evoke a technical, futuristic tone—suggesting machinery, interfaces, and industrial signage. It feels controlled and precise rather than casual, with a slightly experimental edge that suits modern theme-driven design.

The design appears intended to merge a clean geometric sans foundation with conspicuous stencil breaks, producing a theme-forward typeface that reads as modern, technical, and constructed. The consistent stroke logic and repeated gap motifs suggest an emphasis on visual system and identity impact over neutral text setting.

The stencil interruptions are used consistently across the set, creating strong letter differentiation at display sizes and a recognizable pattern of gaps. The numerals and rounded letters (such as O/Q-like forms) emphasize open, segmented counters, reinforcing the engineered, system-like aesthetic.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸