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Free for Commercial Use

Calligraphic Jina 5 is a regular weight, normal width, medium contrast, italic, short x-height font.

Keywords: book titles, packaging, invitations, posters, logotypes, classic, storybook, old-world, whimsical, ornate, handcrafted feel, historic tone, decorative caps, display emphasis, narrative voice, swashy, brushed, chancery, decorative, curvilinear.


Free for commercial use
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A slanted, calligraphic text face with rounded, looping forms and softly swelling strokes that suggest a broad-pen or brush influence. Strokes taper into pointed terminals and occasional teardrop-like ends, while many letters feature small entry/exit flicks and restrained swashes. Uppercase characters are notably more decorative, with flourished bowls and looping cross-strokes, while the lowercase is simpler but still lively and cursive-leaning despite remaining unconnected. Counters are generally open and oval, and spacing feels slightly irregular in a deliberate, hand-made way that contributes to a varied rhythm in words and lines.

Well-suited for display typography where a crafted, old-world voice is desired—book and chapter titles, event invitations, boutique packaging, posters, and short brand marks. It can also work for pull quotes or headings in editorial layouts when paired with a quieter text face for body copy.

The tone reads traditional and literary, with a lightly whimsical, medieval-inspired charm. It feels personable and crafted rather than formal-modern, lending a sense of heritage, fantasy, or storybook narration. The decorative capitals add ceremony and personality without tipping into extreme ornamentation.

The design appears intended to capture the feel of formal hand lettering—expressive and slightly ceremonial—while staying readable in short passages. Emphasis is placed on rhythmic movement, decorative capitals, and calligraphic terminals to evoke a classic, narrative atmosphere.

Round letters (like O/o) show strong calligraphic modulation and pronounced interior shaping, while straight-sided forms keep a gentle curvature that avoids rigid geometry. Numerals follow the same written logic, with soft curves and occasional flicked terminals, making them visually consistent alongside text. The design rewards moderate-to-large sizes where the terminals and flourish details remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸