Print Osmir 2 is a regular weight, narrow, medium contrast, italic, short x-height font.
Keywords: quotes, greeting cards, social media, branding, packaging, casual, friendly, personal, lively, relaxed, handwritten feel, approachability, quick notes, casual emphasis, human warmth, monoline, slanted, looping, calligraphic, airy.
A slanted handwritten print with smooth, brush-like strokes and gently tapered terminals. Letterforms are narrow and rhythmically irregular, with a consistent rightward lean and subtle baseline bounce that keeps lines feeling animated rather than rigid. Curves are open and rounded, ascenders are relatively tall, and spacing varies slightly from glyph to glyph, reinforcing a natural hand-drawn flow. Numerals follow the same casual construction, with simple, lightly stylized shapes that match the alphabet’s stroke behavior.
Well-suited for short to medium text where an informal, personal voice is desired—such as quotes, invitations, greeting cards, social posts, lifestyle branding, and packaging callouts. It can also work for headings or pull-quotes where a handwritten look should remain legible and tidy.
The overall tone is warm and informal, like quick note-taking with a felt-tip pen or brush pen. It reads as approachable and conversational, balancing neatness with enough variation to feel genuinely human. The slant and soft curves add a slightly energetic, upbeat character without becoming loud or decorative.
Designed to mimic quick, confident handwriting in a clean print style, prioritizing an authentic hand-made feel while staying readable in continuous text. The consistent slant, light stroke modulation, and small irregularities suggest an intention to convey warmth and spontaneity without the complexity of fully connected script.
Uppercase forms lean toward simplified, single-stroke constructions that resemble handwritten caps rather than formal script, while lowercase maintains clear, unconnected print shapes for readability. Joins are minimal, but entry/exit strokes and occasional loops (notably in letters like g, y, and f) create a cohesive handwritten identity across text. In longer settings, the narrow proportions and slight width variation produce a compact, flowing texture.