Sans Superellipse Bomin 5 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: display, branding, headlines, ui, posters, minimalist, futuristic, technical, clean, precise, modernization, geometric system, refined lightness, tech tone, clarity, monoline, rounded, geometric, linear, crisp.
A monoline sans built from a rounded-rectangle (superellipse) logic, with smooth corners, straight-sided bowls, and open apertures. Strokes are extremely thin and consistent, giving the design a light, airy texture and a delicate baseline presence. Curves resolve into flattened arcs rather than full circles, and many joins are simplified and linear, producing a controlled, engineered feel. Uppercase forms are tall and spare, while lowercase maintains a straightforward, modern construction with unobtrusive terminals and tidy counters.
Best suited to large-size applications where the fine stroke and distinctive superelliptical shapes can be appreciated, such as headlines, posters, brand wordmarks, and product or interface titling. It can also work for short UI labels and navigation at generous sizes, where clarity is supported by ample spacing and clean geometry.
The overall tone is sleek and contemporary, with a subtle sci‑fi/tech character driven by its geometric rounding and hairline strokes. It reads as calm and analytical rather than expressive, projecting precision and restraint. The rounded geometry softens the austerity, keeping the voice friendly while still feeling high-tech.
The design appears intended to deliver a modern geometric voice with a superellipse-driven system, prioritizing consistency, simplicity, and a refined, lightweight presence. Its stripped-back construction suggests an emphasis on contemporary branding and screen-forward aesthetics.
Because of the hairline stroke weight and open construction, spacing and rhythm feel spacious, with an emphasis on outline and silhouette over mass. The numerals follow the same squared-round logic, keeping a consistent system across letters and figures.