Sans Other Jiry 5 is a bold, very wide, monoline, upright, normal x-height font visually similar to 'FF Eboy' by FontFont (names referenced only for comparison).
Keywords: display, headlines, branding, posters, ui labels, tech, futuristic, industrial, arcade, sci-fi, tech aesthetic, digital signage, retro futurism, geometric uniformity, geometric, modular, square, angular, beveled.
A geometric, modular sans built from squared outlines and straight strokes with consistent thickness. Corners are predominantly right-angled with occasional chamfered or clipped joins, and several glyphs use stepped or notched terminals that reinforce a grid-based construction. Counters tend to be rectangular and open, with generous interior space for a blocky design, while diagonals (notably in V, W, X, Y, Z) are simplified into crisp, segmented angles. Overall spacing and widths vary by character, producing a mechanical rhythm that remains visually coherent across uppercase, lowercase, and numerals.
Best suited to display settings where its angular construction can be appreciated: game titles, sci-fi or tech branding, posters, and interface-style labeling. It can work for short blocks of text in themed layouts, but its strong geometric voice is most effective at larger sizes.
The design reads as technical and futuristic, with an unmistakable digital/arcade flavor. Its squared geometry and hard edges suggest machinery, interface labeling, and retro computer aesthetics rather than traditional editorial typography.
The letterforms appear designed to deliver a highly structured, grid-driven look that feels digital and engineered. The consistent stroke system and clipped details prioritize a distinctive techno silhouette and fast recognition in bold, high-contrast applications.
Lowercase forms largely mirror the uppercase logic, maintaining the same rectilinear language and sharp terminals, which keeps mixed-case text uniform and structured. Numerals are similarly boxy and engineered, with clear distinctions created through cut-ins and open segments rather than curves.