Inverted Abti 2 is a very bold, normal width, high contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, sports branding, packaging, industrial, sporty, techy, assertive, playful, impact, differentiation, branding, display texture, modernity, stencil-like, cutout, inline, blocky, squared.
A heavy, geometric sans with squared proportions and large, clean counters. Many strokes are interrupted by sharp, rectangular cut-ins and wedge-like notches that create an “inline/cutout” effect and add pronounced internal negative shapes. Curves are broad and controlled (notably in C, G, O, and S), while terminals tend to be flat and engineered, keeping a rigid, modular rhythm across the alphabet. Numerals follow the same blocky construction with consistent cut-ins, maintaining strong, high-contrast figure/ground interplay at display sizes.
Best suited to headlines, posters, and branding where strong silhouette and graphic texture are desirable. It works well for sports and esports identity, tech or industrial-themed packaging, and logo marks that need an engineered, cutout look. For longer text, it will be most effective in short bursts (labels, tags, UI callouts) at sufficiently large sizes so the internal carving remains legible.
The overall tone is bold and mechanical, with a sporty, techno edge. The repeated cutout motif adds a punchy, slightly game-like energy, making the face feel modern, high-impact, and attention-seeking rather than neutral or bookish.
The font appears designed to deliver a bold display presence while differentiating itself through systematic interior cutouts that create a distinctive, inverted/knockout rhythm. The intention seems to balance geometric clarity with a stylized, stencil-like detail that signals modernity and impact.
The design’s visual identity relies on consistent internal carving that can read as inverted/knocked-out detailing, especially in small word shapes where the notches create a patterned texture. Because the cutouts are a defining feature, clarity improves as size increases, where the interior shaping reads crisp rather than busy.