Cursive Ohri 2 is a very light, very narrow, low contrast, italic, very short x-height font.
Keywords: invitations, greeting cards, branding, packaging, social media, airy, whimsical, friendly, elegant, delicate, handwritten charm, signature feel, playful elegance, personal tone, monoline, looping, bouncy, flourished, calligraphic.
A delicate monoline script with a forward slant and a lively, handwritten rhythm. Strokes stay consistently thin with soft, rounded terminals and frequent looped forms, giving the letters a buoyant, flowing motion. Uppercase characters are tall and expressive with long entry/exit strokes and occasional swashes, while the lowercase remains compact and nimble with narrow counters and gently simplified joins. Numerals follow the same light, cursive logic, leaning and curving with a hand-drawn feel rather than strict geometric structure.
This style works best for short to medium display text where its loops and flourishes can be appreciated—such as invitations, greeting cards, boutique branding, product packaging, and social graphics. It can also suit headings, pull quotes, and signature-style name treatments, especially when paired with a simple sans or serif for body copy.
The overall tone is lighthearted and personable, blending a casual note-taking charm with a touch of refined flourish. It feels intimate and upbeat, like a carefully written message or a stylish signature, making text appear warm and approachable without becoming heavy or formal.
The design appears intended to capture an authentic, personal handwriting look with a graceful, modern script flavor. Its emphasis on tall, decorative capitals and flowing curves suggests a focus on expressive branding and celebratory text rather than dense, utilitarian reading.
Letterforms show a consistent pen-like continuity, with occasional lifted connections that keep the texture open and breezy. The capitals are especially distinctive and decorative, which can make them effective for emphasis but visually dominant in longer passages. Spacing appears naturally uneven in a way that reinforces the handwritten character and keeps lines from looking mechanical.