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Sans Other Ufbip 7 is a very light, normal width, low contrast, upright, tall x-height font.

Keywords: headlines, branding, posters, editorial display, tech ui, minimalist, futuristic, airy, technical, elegant, concept display, modern branding, geometric reduction, visual lightness, monolinear, geometric, open counters, hairline, high aperture.


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This typeface uses extremely thin, monolinear strokes with a clean geometric skeleton and softened, circular curves. Many forms feel deliberately “constructed,” mixing open bowls and partial arcs with straight segments, which creates a light, architectural rhythm across words. Uppercase proportions are tall and streamlined, and lowercase forms keep a generous x-height with open apertures that help maintain clarity despite the hairline weight. Numerals follow the same linear logic, favoring simple strokes and rounded geometry over conventional closed shapes.

It performs best in headlines, brand marks, and poster typography where its thin strokes and open constructions can be appreciated at comfortable sizes. It also suits editorial display and contemporary packaging that benefits from a sleek, modern tone. In interface contexts it can work for large labels or navigation, but it is less suited to long-form reading or small sizes where the hairline weight and segmented forms may soften legibility.

The overall tone is cool and contemporary, with a refined, minimalist sensibility. Its open, segmented construction reads as futuristic and technical, while the thin strokes and generous spacing cues add a calm, airy elegance. The style feels more display-oriented than purely utilitarian, leaning into a distinctive, designed voice.

The likely intention is a concept-driven sans that explores reduction and negative space—keeping a familiar geometric foundation while introducing open, constructed shapes for a distinctive signature. It aims to communicate modernity and precision through consistent monoline strokes and simplified, airy letterforms.

The design’s repeated use of intentional breaks and open counters becomes a defining motif, giving text a light, shimmering texture at larger sizes. Some letters and numbers rely on partial outlines and simplified joins, which amplifies the geometric concept but can reduce immediate familiarity in dense settings. The crisp, unmodulated stroke treatment keeps the look consistent across caps, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸