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Free for Commercial Use

Sans Superellipse Dolip 5 is a regular weight, very narrow, monoline, upright, tall x-height font visually similar to 'Cairoli Now' by Italiantype, 'Entropia' by Slava Antipov, and 'Polate' by Typesketchbook (names referenced only for comparison).

Keywords: ui labels, wayfinding, posters, packaging, data tables, utilitarian, condensed, modern, signage, technical, space saving, system design, clarity, compact typography, rounded corners, flat terminals, vertical stress, compact, high contrast-free.


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A compact, vertically oriented sans with uniform stroke weight and rounded-rectangle construction throughout. Curves resolve into soft, squared-off corners, and many joins and terminals feel clipped or flattened rather than tapered. Counters are narrow and tall, giving letters a stacked, columnar silhouette, while round characters like O/Q read as superelliptical ovals with consistent interior spacing. The overall rhythm is tight and economical, with simple forms, minimal modulation, and a sturdy, engineered geometry that stays consistent across capitals, lowercase, and figures.

It performs well where space is limited and a clean, condensed voice is needed—UI labels, navigation, dashboards, and tabular or data-heavy layouts. The tall proportions also suit headlines and poster typography where vertical emphasis and compact line length are desirable.

The tone is pragmatic and contemporary, with a slightly industrial, signage-like clarity. Its narrow, upright stance and squared rounding convey efficiency and restraint rather than warmth or playfulness, suggesting a functional voice suited to information-forward typography.

The design appears intended to provide a space-saving sans with a consistent, systematized geometry and soft-square rounding, balancing strict construction with approachable corners for clear, repeatable typography in functional contexts.

The lowercase is built for dense set text, with compact bowls and short horizontal elements that keep word shapes narrow. Numerals follow the same rounded-rectilinear logic, producing a coherent, system-like feel across alphanumerics.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸