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Free for Commercial Use

Distressed Gekuh 8 is a very light, normal width, high contrast, upright, normal x-height font.

Keywords: horror titles, album art, event posters, book covers, game branding, eerie, occult, decayed, spidery, unsettling, atmosphere, horror branding, aged print, dark fantasy, shock value, thorny, ragged, wispy, jagged, scratchy.


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A spidery, serifed display face with extremely thin hairlines punctuated by occasional heavier inky spots and abrupt, thorn-like terminals. Strokes appear fragmented and uneven, with intermittent breaks and drips that create an organic, distressed texture within otherwise classical letter structures. The outlines feel hand-rendered and unstable, producing irregular contours, variable stroke continuity, and a jittery baseline rhythm. Counters stay mostly open but are frequently nibbled by rough interior edges, and spacing reads inconsistent in a deliberate, expressive way.

This font is well suited to short, attention-grabbing text such as horror or dark-fantasy titles, album/EP artwork, posters, and theatrical or seasonal promotions. It can also support branding for games, haunted attractions, or narrative projects where atmosphere matters more than neutrality. For longer passages, it performs best in larger sizes with ample spacing and simple layouts to preserve legibility.

The overall tone is eerie and ritualistic, combining antique bookish forms with a corrupted, decayed surface. It suggests horror, dark fantasy, and occult ephemera—more ominous than playful—where the texture reads like scratched ink, ash, or dried vines. The font’s nervous rhythm and brittle hairlines add tension and a sense of unease.

The design appears intended to fuse recognizable serif letterforms with an aggressive distressed treatment, creating a haunted, botanical-scratch texture that reads immediately as thematic. Its goal is to deliver mood and narrative—suggesting age, damage, and menace—while keeping glyphs just coherent enough for display reading.

Capitals tend to feel more ornate and branch-like, while lowercase retains recognizable text shapes but becomes increasingly noisy at small sizes. Numerals carry the same distressed fragmentation, making them best used as accents rather than for data-heavy settings. The texture is visually dominant, so clarity depends strongly on size, contrast, and generous tracking.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸