Spooky Ofvu 10 is a bold, very narrow, medium contrast, upright, normal x-height font.
Keywords: halloween titles, horror posters, haunted attractions, game ui, book covers, eerie, playful, wicked, campy, mischievous, genre signaling, dramatic impact, hand-cut feel, uneasy rhythm, spiky, tapered, jagged, hand-cut, irregular.
A condensed, display-oriented face with heavy black strokes and sharply tapered terminals that often resolve into knife-like points. Letterforms are irregular and hand-cut in feel, with asymmetric curves, uneven shoulders, and occasional hook-like spurs that create a restless rhythm. Counters are generally compact and sometimes skewed, and the overall silhouette alternates between stout verticals and suddenly pinched joins, producing a lively, jagged texture in text. Numerals follow the same angular, carved treatment, with slanted cuts and pointed ends that keep the set visually cohesive.
Best suited to short, high-impact settings such as Halloween promotions, horror or fantasy poster titles, haunted attraction signage, and expressive branding for themed events. It can also work for game UI headings, chapter openers, or packaging where an eerie, playful tone is desirable and legibility is supported by larger sizes.
The font projects a spooky, storybook menace—more mischievous than truly grim—evoking classic horror title cards, haunted-house signage, and Halloween ephemera. Its sharp tapers and twitchy irregularity create tension and movement, giving words an animated, spellbook-like energy.
Designed to emulate a hand-cut, gothic-horror display look with exaggerated tapers and spiky terminals, prioritizing atmosphere and personality over neutrality. The forms aim to feel animated and slightly unruly, delivering instant genre signaling in headlines and thematic graphics.
In continuous lines the narrow build and high-density black shapes create strong impact, while the intentionally uneven contours add character that reads as hand-drawn rather than mechanical. The style favors headline sizes where the pointed terminals and quirky asymmetries remain clear and intentional.