Sans Superellipse Olmak 4 is a very bold, very narrow, low contrast, upright, short x-height font visually similar to 'Mosquich' by FallenGraphic, 'Burger Honren' by IRF Lab Studio, 'Frontage Condensed' by Juri Zaech, 'Gemsbuck Pro' by Studio Fat Cat, and 'Agharti' by That That Creative (names referenced only for comparison).
Keywords: headlines, posters, signage, logos, packaging, retro, industrial, playful, posterlike, punchy, space saving, high impact, signage feel, geometric unity, brand voice, condensed, blocky, rounded corners, superelliptical, compact.
A condensed, heavy sans with superelliptical construction: strokes end in softly squared, rounded-rectangle terminals and counters. Curves are compact and boxy rather than circular, giving bowls and apertures a tightened, engineered feel. The texture is dense and even, with minimal modulation and a strong vertical emphasis; capitals appear tall and columnar, while lowercase forms stay compact with small, round i-dots and simplified, sturdy joins. Numerals follow the same squared-round logic, reading like robust signage figures with tight internal spaces.
Best suited to headlines, posters, signage, and branding where a dense, condensed silhouette helps fit text into narrow spaces without losing presence. It can also work well for packaging and label systems that benefit from a sturdy, industrial look with softened edges.
The overall tone feels retro-industrial and slightly playful, like mid‑century signage or utilitarian labeling softened by rounded corners. Its bold, compact rhythm creates an assertive voice suited to attention-grabbing headlines while still maintaining a friendly, approachable finish.
The likely intention is to deliver maximum visual impact in a compact width, using rounded-rectangle geometry to balance toughness with approachability. It appears designed for display-driven typography where a consistent, blocky rhythm and distinctive superelliptical forms create instant recognition.
The design relies on tight counters and short crossbars (notably in letters like E/F and the lowercase set), which boosts impact at large sizes but can close up in small text or low-resolution applications. The distinct, squared-round silhouette produces a strong, recognizable word shape, especially in all-caps settings.