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Free for Commercial Use

Sans Normal Afris 12 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Rewalt' by NicolassFonts, 'Causten' and 'Causten Round' by Trustha, and 'Grold' and 'Grold Rounded' by Typesketchbook (names referenced only for comparison).

Keywords: ui text, brand identity, headlines, packaging, editorial, modern, clean, friendly, dynamic, approachable, approachability, clarity, modernity, readability, momentum, rounded, humanist, open, smooth, slanted.


Free for commercial use
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A rounded sans with a consistent forward slant and smooth, low-contrast strokes. Curves are built from broad circular and elliptical forms, producing open counters and soft joins. Terminals are clean and largely unadorned, with gentle rounding at corners rather than sharp cuts. The lowercase shows a contemporary, humanist flavor with a single-storey “a,” a lively “g,” and compact, flowing shapes that keep texture even in longer text. Figures are simple and legible, matching the letterforms’ rounded geometry and steady rhythm.

Works well for interface typography, product branding, and marketing where a clean yet personable voice is needed. It can handle short-to-medium editorial passages and subheads thanks to its open counters and even texture, while also performing nicely for modern headlines and packaging that benefit from a rounded, approachable look.

The overall tone is modern and accessible, with a friendly softness from the rounded construction and an energetic feel from the persistent slant. It reads as contemporary and informal-leaning without becoming playful or decorative, making it well suited to communication that aims to feel welcoming and clear.

The design appears intended to deliver a contemporary sans that balances neutrality with warmth: geometric roundness for clarity and consistency, paired with a humanist rhythm and a steady slant for motion and emphasis in everyday communication.

In text settings the slant creates a cohesive, forward-moving line while the generous apertures help maintain clarity. Uppercase forms stay straightforward and geometric, while the lowercase adds warmth and personality through subtly varied curves and open shapes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸