Sans Superellipse Figoz 2 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, 'Tactic Round' and 'Tactic Sans' by Miller Type Foundry, 'Hype vol 3' by Positype, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: headlines, sports branding, posters, product branding, gaming ui, sporty, tech, futuristic, dynamic, assertive, speed, impact, modernity, branding, display, rounded, squared, oblique, chunky, compact.
A heavy, oblique sans with broad proportions and rounded-square (superellipse) construction. Strokes are monolinear and robust, with smooth corner radii and slightly squared counters that keep forms compact. Apertures tend toward the closed side and the overall rhythm is steady and mechanical, with clean terminals and a consistent forward slant across caps, lowercase, and figures. Numerals and rounds like O/0 and 8 show rounded-rectangle geometry rather than true circles, reinforcing the streamlined, engineered feel.
Best suited to headlines, logos, and short bursts of copy where the bold, slanted forms can communicate motion and impact. It fits sports and racing themes, tech and gaming visuals, packaging, and UI labels that benefit from a compact, high-energy sans. For smaller sizes or longer reading, it will typically work better as an accent style rather than body text.
The tone is energetic and performance-oriented, combining a futuristic, technical flavor with the punch of a display-weight italic. Its forward lean and blocky curves suggest speed and confidence, while the softened corners keep it friendly enough for consumer-facing branding.
Likely drawn to deliver a fast, modern display voice by combining forward-leaning construction with rounded-square geometry. The emphasis appears to be on bold presence, clear silhouette, and a cohesive “engineered” look across letters and numerals for branding-driven typography.
The design leans on squarish bowls and counters (notably in letters like O/Q and the lowercase a/e), giving a distinctive “rounded rectangle” silhouette. In text, the dense mass and tight interior spaces create strong headline impact, while long passages may feel visually heavy without generous spacing.