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Sans Superellipse Jase 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Bongo' by Bogusky 2, 'Barion' by Drizy Font, 'Jetlab' by Swell Type, and 'FTY Konkrete' by The Fontry (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, sports branding, industrial, techno, stencil-like, futuristic, rugged, display impact, geometric styling, signage feel, brand distinctiveness, blocky, rounded corners, squared forms, compact, modular.


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A heavy, block-constructed sans with a superelliptical skeleton: most curves are resolved as rounded rectangles, producing squared counters and softly chamfered outer corners. Strokes are consistently thick with minimal modulation, and terminals tend to be flat and abrupt, emphasizing a machined, modular feel. Openings and counters are narrow and often rectangular, and several letters use carved notches or inset joins that read as cut-outs, giving a quasi-stencil texture without fully breaking forms. Overall spacing and proportions feel compact and dense, supporting large, impactful setting.

Best suited for headlines, titles, and short bursts of text where its dense, blocky texture can read as intentional impact. It works well for branding marks, product packaging, event posters, and sports or esports-style graphics, and can also support UI or tech-themed display labels when set large with generous spacing.

The design reads as industrial and utilitarian, with a techno display tone that feels engineered rather than handwritten or classic. Its squared-round geometry and cut-in details suggest machinery, signage, and game/interface aesthetics, projecting toughness and forward-looking energy.

The likely intention is to create a bold display sans built from rounded-rectangle geometry, combining clarity with a rugged, cut-out detailing to evoke industrial and futuristic signage. The design prioritizes presence and distinctive silhouette over long-form readability.

The numerals and many capitals show strong rectilinear construction, while rounded corners prevent the texture from becoming overly harsh. Distinctive interior cut-ins (notably in letters with bowls or arches) add character and help differentiate shapes at display sizes, though the tight apertures make the texture visually dense.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸