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Free for Commercial Use

Wacky Ebnuz 11 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Double Porter' and 'Explorer' by Fenotype, 'Privilege Sign JNL' by Jeff Levine, 'Brumder' by Trustha, 'Delonie' and 'Headpen' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, signage, circus, western, playful, rowdy, retro, attention grabbing, vintage signage, humor, character display, poster impact, slab-like, rounded corners, quirky, choppy terminals, compact.


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A heavy, condensed display face with blocky silhouettes and softened, rounded corners. Strokes are largely monolinear, with squared bowls and counters that stay open enough for punchy readability at large sizes. Terminals often end in slightly chiseled or irregular cuts, creating a hand-made, poster-like rhythm rather than a strictly geometric finish. Uppercase forms are tall and compact, while lowercase keeps a straightforward structure with small, sturdy details (notably in the bowls and shoulders), and numerals follow the same chunky, sign-painter sensibility.

Best suited to short, high-impact copy such as posters, headlines, event promos, labels, and storefront-style signage. It can also work for logos or wordmarks where a bold, characterful voice is desired, but it is less appropriate for long-form text or small UI sizes where its decorative irregularities may accumulate.

The overall tone is mischievous and theatrical, evoking old posters, carnival signage, and tongue-in-cheek “wanted” or saloon headlines. Its deliberate roughness reads as energetic and humorous, prioritizing personality over neutrality.

The design appears intended to deliver a loud, attention-grabbing display voice with a slightly rough, vintage sign aesthetic. Its condensed build and chunky shapes aim to maximize impact in limited horizontal space while keeping a playful, eccentric edge.

The face maintains consistent weight and spacing density, but introduces small inconsistencies in edge treatment that add character. The compact apertures and sturdy joins suggest it will look best when given room—larger sizes and moderate tracking—so the distinctive cuts and rounded corners remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸