Sans Superellipse Sigig 2 is a bold, narrow, medium contrast, upright, normal x-height font visually similar to 'BaBa Rounded' by Naghi Naghachian, 'Eunoia' by Shinntype, and 'Godiva' by Suby Studio (names referenced only for comparison).
Keywords: posters, headlines, signage, branding, packaging, industrial, retro, utilitarian, posterish, mechanical, space saving, signage clarity, geometric uniformity, display impact, systematic design, rounded corners, condensed, squared rounds, monolinear, tall proportions.
A condensed sans with tall, compact proportions and a strongly rounded-rectangle construction. Strokes are largely monolinear, with softened corners and flattened terminals that keep the silhouettes sturdy and blocklike. Counters tend toward vertical ovals and rounded slots, and curves resolve into squarish bowls rather than fully circular forms. The rhythm is tight and vertical, with consistent stroke endings and a generally even, engineered geometry across caps, lowercase, and numerals.
Works best for headlines, posters, signage, and brand marks where a compact footprint and high ink density are advantageous. It also suits packaging and label-style applications that benefit from a sturdy, engineered look and consistent numeral styling. In longer text, it’s most effective in short bursts—subheads, callouts, or UI labels—where its tight apertures won’t be taxed.
The overall tone feels industrial and slightly retro, like labeling on machinery, packaging, or mid-century signage. Its rounded corners add approachability, but the compressed width and dark color keep it confident and utilitarian. The voice is direct and functional, with a display-forward presence.
The design appears intended to merge a condensed, space-saving structure with rounded-rectangle geometry for a robust, modernist display voice. It prioritizes uniformity, strong silhouette, and a modular construction that reads as practical and manufactured rather than calligraphic.
Distinctive glyph cues include the double-stem style on forms like the uppercase U/W and the vertical-slot treatment in several bowls, which reinforces the mechanical, modular feel. Numerals follow the same condensed, rounded-rect logic, maintaining strong consistency for set-on-a-grid layouts. The density and narrow apertures suggest better performance at larger sizes where interior shapes remain clear.