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Sans Superellipse Osboz 8 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold, 'CF Blast Gothic' by Fonts.GR, 'News Gothic SH' by Scangraphic Digital Type Collection, and 'TT Backwards' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, labels, assertive, industrial, modern, compact, utilitarian, space saving, high impact, systematic design, signage clarity, condensed, blocky, squared, rounded corners.


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A condensed, heavy sans with a squared, superelliptical construction: round letters are built from rounded-rectangle bowls and tight apertures, while straight strokes stay clean and monolinear. Counters are compact and terminals are mostly blunt, giving a dense, poster-ready texture. Uppercase forms are tall and uniform, and the lowercase keeps simple, sturdy shapes with minimal modulation; curves and joins are smoothed rather than sharp, helping the black weight stay even in small interior spaces. Numerals follow the same compact, upright logic with straightforward geometry and strong vertical emphasis.

Best suited to headlines, short display lines, and compact typography where maximum impact is needed in limited horizontal space. It works well for posters, signage, packaging, and labeling systems that benefit from a sturdy, industrial-modern voice and clear block shapes.

The overall tone is forceful and practical—more engineered than expressive—suggesting contemporary signage and high-impact headlines. Its compact width and dense strokes project urgency and confidence, with a slightly retro-industrial flavor from the squared rounds and blunt finishes.

This design appears intended to deliver strong legibility and presence through condensed proportions, heavy weight, and a rounded-rectangle geometry that keeps forms consistent across the alphabet. The emphasis is on functional clarity and bold branding rather than delicate detail or calligraphic character.

The tight spacing and small counters create a strong vertical rhythm that reads as efficient and space-saving. Squared curves (notably in C, G, O, Q, and zero) and consistently rounded corners contribute to a cohesive, system-like feel across letters and numbers.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸