Sans Superellipse Jiruk 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Lobby Card JNL' and 'Outdoor Cafe JNL' by Jeff Levine, 'Evanston Alehouse' by Kimmy Design, 'Volcano' by Match & Kerosene, 'NT Gagarin' by Novo Typo, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, industrial, techno, sporty, futuristic, chunky, impact, modernity, geometric branding, signage, rounded corners, squared forms, compact, monoline, blocky.
A heavy, monoline sans built from squared forms with generously rounded corners. Counters and apertures tend to be rectangular and tightly controlled, giving the letters a compact, machined feel. Curves are minimized in favor of superellipse-like geometry, with consistent stroke weight and stable verticals; diagonals (as in K, V, W, X, Y) are broad and angular. The lowercase is large relative to the capitals, with short ascenders and descenders, producing an efficient, dense texture in text. Numerals follow the same rounded-rectangle logic, keeping widths robust and silhouettes strongly geometric.
This font works best for display typography: headlines, posters, title cards, and bold brand marks where geometric consistency and impact are priorities. It also suits sports and fitness graphics, product packaging, and UI moments such as badges, labels, and short navigational text when set at sufficiently large sizes.
The overall tone is bold and assertive, with a utilitarian, engineered character that reads as contemporary and tech-forward. Its rounded-square construction adds a friendly edge to an otherwise hard-edged, industrial voice, making it feel energetic and suited to high-impact messaging.
The design appears intended to deliver a modern, geometric sans with a distinct rounded-rectangle skeleton—prioritizing strong silhouettes, compact counters, and a sturdy rhythm for attention-grabbing display settings.
Spacing and sidebearings appear tuned for headline settings, where the chunky shapes create a strong rhythm. The square-ish bowls and corners can reduce differentiation at small sizes, but enhance uniformity and visual punch in larger display use.